خدمات مشاوره حضوری و نوروتراپی با رعایت فاصله گذاری اجتماعی هوشمند در دسترس است. استفاده از ماسک الزامی است.

به راحتی مشاوره بگیرید
همه ما در مراحل و زمان هایی از زندگی نیاز به صحبت کردن و مشاوره گرفتن از فردی داریم که بتواند ما را درک کند.

adobe photoshop cs6 tutorial for beginners free download

Looking for:

Adobe photoshop cs6 tutorial pdf classroom in a book free download

Click here to Download

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Adobe ® Photoshop ® CS6 classroom in a book ® The official training workbook from Adobe Systems DVD-ROM Included for Windows and Mac OS Adobe ® Photoshop. Adobe Photohshop CS6 Classroom in a Book includes the lesson files that you’ll need to complete the exercises in this book, as well as other content to help you.
 
 

 

adobe photoshop cs6 tutorial for beginners – Item Preview

 

Photoshop places the image as a Smart Object, which is a layer you can edit without making permanent changes. Click OK to close the Color Picker. Or, hover and then click anywhere outside the gradient picker to close it. If you want to be sure you drag straight up, press the Shift key as the gradient name.

Like layers, layer styles can be hidden by clicking eye icons in the Layers panel. Layer styles are nondestructive, so you can edit or remove them at any time. You can apply a copy of a layer style to a diferent layer by dragging the efect onto the destination layer. Earlier, you used a layer style to add a stroke to the beach photo. Photoshop nests the layer style in the Island Paradise layer. First it lists Efects, and then the layer styles applied to the layer.

An eye icon appears next to the efect category and next to each efect. To turn of an efect, click the eye icon. Click the visibility column again to restore the efect. To hide all layer styles, click the eye icon next to Efects. To collapse the list of efects, click the arrow next to the layer. Do not click OK. For example, if you add a Color Balance adjustment layer to an image, you can experiment with difer- ent colors repeatedly, because the change occurs only on the adjustment layer.

If you decide to return to the original pixel values, you can hide or delete the adjust- ment layer. An arrow appears in the Layers panel indicating that the adjustment layer applies only to the Flower2 layer. You can edit the text and watch how the layer efect tracks the change.

When you work speciic layers quickly, but has no efect on which in a complex ile with layers are visible or their stacking order. As you edit the text, the layer styles are applied to the new text. A pixel border is selected around the entire image. Flattening combines all the layers into a single background layer. So lattening is well worth it in this case. Only one layer, named Background, remains in the Layers panel.

Even though you chose Save rather than Save As, the Save layers in a ile, click the As dialog box appears. A layer comp is simply a deinition of the settings in the Layers panel.

Then, by switching from one layer comp to another, you can quickly review the two designs. The beauty of layer comps becomes apparent when you want to demonstrate a number of possible design arrangements. You might have the French text on one layer, and the English text on another in the same image ile. To create two diferent layer comps, you would simply turn on visibility for the French layer and turn of visibility for the English layer, and then click the Create New Layer Comp button on the Layer Comps panel.

To view the diferent layer comps, click the Apply Layer Comp box for each comp in the Layer Comps panel in turn. With a little imagination, you can appreciate how much time this saves for more complex variations. Layer comps can be an especially valuable feature when the design is in lux or when you need to create multiple ver- sions of the same image ile.

When both layers are visible, Layer 2 shows the tall man in the center blinking, and the two girls in the front looking away. Toggle the eye icon next to Layer 2 of and on to see that the layers are perfectly aligned. Now for the fun part! You can also hide individual layers as you work on other layers. See also montages, assembling — Zoom tool copying to other layers Motion dialog box , Drop Shadow , , magnifying glass. References to company names in the lessons are for demonstration purposes only and are not intended to refer to any actual organization or person.

Books to Borrow Open Library. Search the Wayback Machine Search icon An illustration of a magnifying glass. Sign up for free Log in. EMBED for wordpress. Want more? Advanced embedding details, examples, and help! Adobe Press books have been developed with the support of Adobe product experts. More from Adobe Press Visit the store. About the Author The Adobe Creative Team of designers, writers, and editors has extensive, real world knowledge of Adobe products.

About the author Follow authors to get new release updates, plus improved recommendations. Brie Gyncild. Brief content visible, double tap to read full content. Full content visible, double tap to read brief content.

Read more Read less. Customer reviews. How customer reviews and ratings work Customer Reviews, including Product Star Ratings, help customers to learn more about the product and decide whether it is the right product for them. Learn more how customers reviews work on Amazon. Top reviews Most recent Top reviews.

Top reviews from United Kingdom. There was a problem filtering reviews right now. Please try again later. Verified Purchase. My first impression is that this book was smaller than expected physically. I know this is an odd comment but this looks more like an oversized small book than a typical software book. I bought it primarily for digital photography after having bought a book on Lightroom. I am a little disappointed with content in this regard.

It only really covers what I can already do in Lightroom. Other content is not really applicable so much to the digital photographer.

I have not marked this book down because it does not claim to be what I was hoping it would be. There is a DVD with tutorial files on which makes this well worth the spend. I started with Photoshop in the early 90s with version 2. I have not kept up to date beyond CS3 so this book was also purchased to bring me up to speed with some of the more recent tools, not least the content aware fill, which would have had the entire Adobe staff hung, burned or drowned for witchcraft had this tool been available in medieval times.

I was at an Adobe conference and their message is that a lot of these tools are intended to save time which can still be billed to a client. I firmly believe with this release they have achieved that. Having written courses myself, I know the importance of covering off the fundamentals and getting timing right, to allow students to solidify their understanding. On that note I believe this book is presented well, introducing more basic concepts earlier and advanced topics separately.

Resources for educators: www. Find solutions for education at all levels, including free curricula that use an integrated approach to teaching Adobe software and can be used to prepare for the Adobe Certiied Associate exams. Adobe Photoshop CS6 product home page: www. Adobe Labs: labs. You can use Adobe certiication as a catalyst for getting a raise, inding a job, or promoting your expertise.

If you are an ACE-level instructor, the Adobe Certiied Instructor program takes your skills to the next level and gives you access to a wide range of Adobe resources. Adobe Authorized Training Centers ofer instructor-led courses and training on Adobe products, employing only Adobe Certiied Instructors. A directory of AATCs is available at partners. For information on the Adobe Certiied programs, visit www.

Each layer can then be edited as discrete artwork, allowing tremendous lexibility in composing and revising an image. New iles are generally created with a background layer, which contains a color or an image that shows through the transparent areas of subsequent layers. All new layers in an image are transpar- ent until you add text or artwork pixel values.

Working with layers is analogous to placing portions of a drawing on clear sheets of ilm, such as those viewed with an overhead projector: Individual sheets may be edited, repositioned, and deleted without afecting the other sheets.

When the sheets are stacked, the entire composition is visible. Press the spacebar for a full- screen view. You will create it now, and, in doing so, learn how to create, edit, and manage layers.

Saving another version of the start ile frees you to make changes without worrying about overwriting the original. You can use the Layers panel to hide, view, reposition, delete, rename, and merge layers. E Tip: Use the context Notice the layer thumbnail and the icons on the Background layer level: menu to hide or resize the layer thumbnail.

Mac OS a thumbnail If you click the eye, the image window no longer displays that layer. Notice that only one layer appears in the Beach. An image can have only one background. You cannot change the stacking order of a background layer, its blending mode, or its opac- ity. You can, however, convert a background layer to a regular layer. Whether you drag from the image window of the original ile or from its Layers panel, only the active layer is reproduced in the destination ile.

Before you begin, make sure that both the 04Working. Keep the layer selected. Photoshop displays both of the open image iles. Select the Beach. Photoshop always adds new layers directly above the selected layer; you selected the Background layer earlier.

Viewing individual layers he 04Working. Some of the layers are visible and some are hidden. To select the layer, click the layer name in the Layers panel.

Changes you make in the image window afect the active layer. A white border appears around the beach photo. In this case, the postmark is too dark on the lower. You can also type the value in the Opacity box or scrub the Opacity label. Notice that the change in opacity afects only the image area of the Postage layer. Duplicating a layer and changing the blending mode You can apply diferent blending modes to a layer.

Blending modes afect how the color pixels on one layer blend with pixels in the layers underneath. Currently, the blending mode for both layers is Normal. Click OK in the Duplicate Layer dialog box.

 
 

دسته‌بندی‌ها: دسته‌بندی نشده

دیدگاهتان را بنویسید

نشانی ایمیل شما منتشر نخواهد شد. بخش‌های موردنیاز علامت‌گذاری شده‌اند *